摘  要：

  《蔡司微電影》是一部勵(lì)志型短片，短片主要講述的是一位剛剛?cè)肼毑趟竟镜哪贻p人通過(guò)不懈努力和學(xué)習(xí)，最終突破自我?jiàn)^斗成功的勵(lì)志故事。筆者在短片制作中擔(dān)任了攝像與后期剪輯的任務(wù)，作為親身體驗(yàn)者來(lái)說(shuō)對(duì)影片有著深刻的理解和詮釋。筆者通過(guò)將劇本中文學(xué)語(yǔ)言轉(zhuǎn)化為試聽(tīng)語(yǔ)言，把文學(xué)抽象的描述剝離出來(lái)轉(zhuǎn)化為具象的影視形象。在攝影攝像、后期剪輯中充分運(yùn)用了所學(xué)的理論知識(shí)與實(shí)際技巧，完美詮釋了導(dǎo)演以及編劇的意圖。下面筆者將從攝影和后期剪輯兩個(gè)方面分別闡述這兩種手法對(duì)于短片的表現(xiàn)作用。

   關(guān)鍵詞：影視，劇作，現(xiàn)實(shí)生活

Abstract

"Zeiss micro-film" is a story of a young man just starting to enjoy growth Zeiss inspirational story movie, I served as a camera and post-editing tasks in movie production. For such a short film, as the experience of the film, I had a different understanding and interpretation. The author is the literary language of the script into a visual language, literature transformed from abstract to figurative description of video image. Wherein the photographic camera, post clips using the theoretical knowledge and practical skills learned, the full interpretation of the intent of the director and screenwriter. I will elaborate below, respectively, the performance of these two techniques of photography and video effects for both post-editing.

Keywords:Television, plays, real life 

目錄

摘  要： 1

Abstract 2

前   言 4

1.1影視劇作的基礎(chǔ) 6

1.1.研究和劇本構(gòu)思 6

1.2觀看電影、閱讀劇本 6

1.3影視劇作的創(chuàng)作要求 6

二、電影制作手法的運(yùn)用 8

2.1拍攝地點(diǎn)的布置 8

2.2剪輯手法的運(yùn)用 8

三、 修改方案 9

四、 創(chuàng)作心得 9

結(jié)論 10